Kiss your loved ones goodbye, turn around one last time and burn down the bridges to your old life. No one can join you on this way. No one but this very special band from Norway who deliver the finest soundtrack to your very own apocalypse ever since they started playing in 1999. More than once, the music for your dying world, the symphony of your self-destruction came from
. Now, they are finally back. And sound more intense, more stricken and determined than they did in a long time.
First a double strike, then the big hush: After 'Sinners International' and 'The Death Of Romance' were released with barely a year between these two masterpieces, Norway's Electro Rock connoisseurs vanished from view. Except for their unforgettable live appearances, the Zeromancer
camp fell silent, a whole three years had to pass until a next album was finally born. 'Bye-Bye Borderline' is its name and sounds like a perfect embodiment of the title: Melancholic, bipolar, in one moment brimful with positive energy, in another falling into a bottomless depth. Sure, pleasure and pain share the same bed. Yet, nobody knew until now they were really that close: With the trained eye for pain and sorrow that made hymns like 'My Little Tragedy' to milestones of melancholy in recent years, Zeromancer
advance with new determination, armed to the teeth with the biggest of emotions. Love, hate, desperation or sacrifice are not only empty words for Zeromancer
, but razor-sharp songs for the next breakdown. Electro Rock mysticism in the purest sense of the word sensual, highly erotic and altogether much too dangerous.
Songs like 'Auf Wiedersehen Boy', the big closing monument 'Tortured Artist' or the biting title track prove just how much anger and bitterness piled up in the last three years. They drag a raw Industrial Rock edge back into the Zeromancer
sound that finally stands for all things dark, infamous and forbidden again. But Zeromancer
are more than that: The slow-motion serenade of self-destruction called 'Manoeuvres' would even stir emotions in a rotten heart. Ambivalent, layered, passionate and abysmal is the guise of 'Bye-Bye Borderline' beginning with the title itself. Do Zeromancer
sing about healing or disease? About life or death? 'Ash Wednesday' certainly is on death's side, although hope seeps through some of the wonderful melodies like the sun through thick clouds. Dance, cry, hush or hope no matter what it is: Zeromancer
have just the right music for it. More intimate, more intense Electro Rock has yet to be invented.